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VISHNU PURANA. - BOOK III. CHAP. IV

 

VISHNU PURANA. - BOOK III.

 

 

CHAP. IV.--Division of the Veda, in the last Dwapara age, by the Vyasa Krishna Dwaipayana. Paila made reader of the Rich; Vais'ampayana of the Yajush; Jaimini of the Saman; and Sumantu of the Atharvan. Suta appointed to teach the historical poems. Origin of the four parts of the Veda. Sanhitas of the Rig-veda.

 

CHAP. IV.

 

Division of the Veda, in the last Dwapara age, by the Vyasa Krishna Dwaipayana. Paila made reader of the Rich; Vais'ampayana of the Yajush; Jaimini of the Shun; and Sumantu of the Atharvan. Suta appointed to teach the historical poems. Origin of the four parts of the Veda. Sanhitas of the Rig-veda.

 

PARAS'ARA.--The original Veda, in four parts, consisted of one hundred thousand stanzas; and from it sacrifice of ten kinds, the accomplisher of all desires, proceeded. In the twenty-eighth Dwapara age my son Vyasa separated the four portions of the Veda into four Vedas. In the same manner as the Vedas were arranged by him, as Vedavyasa, so were they divided in former periods by all the preceding Vyasas, and by myself: and the branches into which they were subdivided by him were the same into which they had been distributed in every aggregate of the four ages. Know, Maitreya, the Vyasa called Krishna Dwaipayana to be the deity Narayana; for who else on this earth could have composed the Mahabharata? Into what portions the Vedas were arranged by my magnanimous son, in the Dwapara age, you shall hear.

 

When Vyasa was enjoined by Brahma to arrange the Vedas in different books, he took four persons, well read in those works, as his disciples. He appointed Paila reader of the Rich; Vais'ampayana of the Yajush; and Jaimini of the Soma-veda: and Sumantu, who was conversant with the Atharva-veda, was also the disciple of the learned Vyasa. He also took Suta, who was named Lomaharshana, as his pupil in historical and legendary traditions.

 

There was but one Yajur-veda; but dividing this into four parts, Vyasa instituted the sacrificial rite that is administered by four kinds of priests: in which it was the duty of the Adhwaryu to recite the prayers (Yajush) (or direct the ceremony); of the Hotri, to repeat the hymns (Richas); of the Udgatri, to chaunt other hymns (Sama); and of the Brahman, to pronounce the formulae called Atharva. Then the Muni, having collected together the hymns called Richas, compiled the Rigveda; with the prayers and directions termed Yajushas he formed the Yajur-veda; with those called Sama, Sama-veda; and with the Atharvas he composed the rules of all the ceremonies suited to kings, and the function of the Brahman agreeably to practice.

 

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitas (or collections of hymns) to Indrapramati and to Bashkali. Bashkali subdivided his Sanhita into four, which he gave to his disciples Baudhya, Agnimathara, Yajnawalka, and Paras'ara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhita to his son Mandukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also S'akalya, studied the same Sanhita, but he divided it into five Sanhitas, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vatsya, S'aliya, and S'is'ira. Sakapurni made a different division of the original Sanhita into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitas were given to his three pupils, Krauncha, Vaitalaki, and Valaka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Bashkali composed three other Sanhitas, which he taught to his disciples Kalayani, Gargya, and Kathajava. These are they by whom the principal divisions of the Rich have been promulgated.

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CHARACTER-BUILDING.

SELF-DE-HYPNOTISATION.

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MUDRAS MOVE THE KUNDALINI

LOCATION OF KUNDALINI

SAMADHI YOGA

THE POWER OF DHARANA, DHIYANA, AND SAMYAMA YOGA.

THE POWER OF THE PRANAYAMA YOGA.

INTRODUCTION

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TO THE KUNDALINI—THE MOTHER OF THE UNIVERSE.

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Introduction and Preface

CONCLUSION.

THE VAMPIRE'S ELEVENTH STORY.

THE VAMPIRE'S TENTH STORY.

THE VAMPIRE'S NINTH STORY.

THE VAMPIRE'S EIGHTH STORY.

THE VAMPIRE'S SEVENTH STORY.

THE VAMPIRE'S SIXTH STORY.

THE VAMPIRE'S FIFTH STORY.

THE VAMPIRE'S FOURTH STORY.

THE VAMPIRE'S THIRD STORY.

THE VAMPIRE'S SECOND STORY.

THE VAMPIRE'S FIRST STORY.

श्वेतकेतु और उद्दालक, उपनिषद की कहानी, छान्द्योग्यापनिषद, GVB THE UNIVERSITY OF VEDA

यजुर्वेद मंत्रा हिन्दी व्याख्या सहित, प्रथम अध्याय 1-10, GVB THE UIVERSITY OF VEDA

उषस्ति की कठिनाई, उपनिषद की कहानी, आपदकालेमर्यादानास्ति, _4 -GVB the uiversity of veda

वैराग्यशतकम्, योगी भर्तृहरिकृत, संस्कृत काव्य, हिन्दी व्याख्या, भाग-1, gvb the university of Veda

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इसे भी पढ़े- इन्द्र औ वृत्त युद्ध- भिष्म का युधिष्ठिर को उपदेश

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